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The Artist’s Guide to Sketching

The Classic Book about Making Art on Location

Published by Andrews McMeel Publishing
Distributed by Simon & Schuster

About The Book

A bold new edition of the groundbreaking book by two of America's most prominent visual artists, James Gurney (Dinotopia, Color and Light), and Thomas Kinkade, freshly updated with a new introduction, archival photographs, and illuminating text to guide a new generation of illustrators.

"If I could only have one drawing book on my shelf, it would be this one." –Shari Blaukopf, author of the Urban Sketching Handbook: Working With Color

Since its release in 1982, The Artist’s Guide to Sketching has become a classic art guide for students and laypeople around the world. The book includes instruction and artwork by James Gurney and Thomas Kinkade—two students who would go on to fame with Dinotopia (Gurney) and as the “Painter of Light” (Kinkade). This new edition restores the classic text with updated full-color visuals and a special section chronicling the book’s origins and the friendship, drawing on archives from Gurney and the Kinkade family estate.

Chapters and topics include:
  • Chapter 1: THE EXPERIENCE OF SKETCHING (Coping with the Weather, Sketching at Night, Sitting or Standing?, Dealing with Curious Spectators, Being Inconspicuous, At Home Amid the Elements
  • Chapter 2: MATERIALS (Sketchbooks, Pencils, Pens, Markers, Wash and Drybrush, Sketchboxes and Carrying Cases, Experiencing Your Materials)
  • Chapter 3: ACHIEVING ACCURACY: (When to Use an Underdrawing, How Much Underdrawing is Necessary, Establishing the Large Shapes, Measuring Lengths, Measuring Slopes, Using Perspective Guidelines, Constructing with Geometric Forms, Completed Underdrawing, The Final Execution)
  • Chapter 4: CAPTURING MOTION (Freezing Motion: A New Way of Drawing, Learning to Observe Motion, Training Your Memory, Getting It Down Fast, The Scribble Approach, The Gestural Approach, The Mannikin Approach, The Tonal Mass Approach, When Your Subject Moves Unexpectedly, Places to Go for Motion Sketching)
  • Chapter 5: CREATING MOOD (Choosing a Subject, Noting Impressions, Composing with Thumbnails, Selectivity, Center of Interest, Dramatic Opposition, Delicacy, Mystery, Structure and Expression)
  • Chapter 6: USING IMAGINATION (Dare to be Creative, Being Imaginative On-the-Spot, Exaggeration, Changing Context and Scale, Using Anthropomorphism, Additions and Combinations, Feeding the Imagination, Becoming More Imaginative)
  • Chapter 7: STUDYING NATURE (Nature: Your Personal Drawing Workshop, The Experience of Nature Sketching, Plants, Animals, Sketching at the Zoo, Natural History Museum, Clouds, Rocks and Landforms, The Benefits of Studying Nature)
  • Chapter 8: SKETCHING PEOPLE (Finding Raw Material, Exaggerating Character Traits, The Cartoon Approach, Portraying People in Their Environment, Two Characters, Group Composition, The On-The-Spot Portrait, Making People Sketches Come Alive, Family and Friends: Your Free Models)
  • Chapter 9: EXPLORING THE MAN-MADE WORLD (Begin with the Commonplace, Sketching the Home, Indicating Building Exteriors, Signs and Letterforms, A New Look at Machines, Using Clutter, On-The-Spot Spot Research, Using Written Notes, Thinking As a Documentary Artist, The Joy of Exploration)
  • Chapter 10: SKETCHING IN YOUR LIFE (Keeping Specialized Sketchbooks, Developing Sketches into Paintings, Sharing Sketches With Others, Sketching Alone or With Others)


About The Authors

James Gurney's unique blending of fact and fantasy has won Hugo, Chesley, Spectrum, and World Fantasy Awards. His work has been featured in one-man exhibitions at the Smithsonian Institution, the Norman Rockwell Museum, the Delaware Art Museum, and the U.S. embassies in Switzerland and Yemen. He lives with his wife, Jeanette, in the Hudson Valley of New York State.

Thomas Kinkade, the Painter of Light™, emphasized simple pleasures and inspirational messages through his art—and the branded products created from that art. From textiles, to collectibles, to music and books, Thom believed that both the ability and the inspiration to create his paintings had been given to him as a gift. His goal as an artist was to touch people of all faiths and to bring peace and joy into their lives through the images he created.

Product Details

  • Publisher: Andrews McMeel Publishing (February 27, 2025)
  • Length: 176 pages
  • ISBN13: 9781524892937

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Raves and Reviews

"The Artist’s Guide to Sketching conveys the what, where, how-to and, most importantly, the why of drawing on location. As a lifelong reportage artist, urban sketcher and arts educator, I highly recommend the expanded edition of this classic book to art students, professionals, hobbyists, and everyone in between. Drawing connects us to our world, and this book connects us to drawing." (Veronica Lawlor, Reportage Artist and Professor)

"The Artist’s Guide to Sketching is at once a compelling memoir and an inspirational call to artists to break free from generic images and clichéd concepts by getting out and recording the real world in all its wonder and complexity." (Alice A. Carter, Author and Professor Emeritus Animation/Illustration, San Jose State University)

“This is a marvelous book, filled with the kind of wisdom you'll never find in a classroom or library. Two artists paid their dues and learned valuable lessons on their cross-country sketching safari. They've passed those lessons on to us in a classic book, now expanded and remastered. Their practical pointers about drawing materials and techniques are important, but equally important is the inspiration we get from the story of the two travelers hopping freight trains and sleeping on rooftops, earning their way by the sheer love of drawing. Profusely illustrated, beautifully written.” (David Apatoff, Art Critic, The Saturday Evening Post)

“One goes to the world’s great museums to see and learn how the great masters composed their works. For modern masters, we have Gurney & Kinkade’s book." (Alan Dean Foster)

“I’ve been intrigued for years knowing this book existed, but due to the book’s scarcity, I never had the opportunity to read it. Now that I have, I can state that I loved the book and would recommend it to anyone, whether a seasoned artist or someone new to image making, with the confidence that, if the practice described within is followed, their art and perspective on life and the world in which we live, will change.The Artist's Guide to Sketching is filled with pragmatic tips as fundamental as discussing various drawing and painting tools and different papers, to the more conceptual such as how to see, how to measure, and different ways to think about and edit your drawings. The book speaks to the fundamental value of sketching to the artist, and its celebration of sketching as an end in and of itself.”
(Chuck Grieb, Professor and Program Director for Animation and Visual Effects and the Chair of the Department of Cinematic Arts, Azusa Pacific University)

“Every urban sketcher should own a copy of The Artist’s Guide to Sketching. In fact, if I could only have one drawing book on my shelf, it would be this one. It’s packed with that many insights about drawing on location, about everything from perspective to people sketching to nature and animals. But for me, the most brilliant section is about learning to capture motion by training your eye to freeze a gesture so you can record it in your sketchbook. I find myself returning to insights like these again and again. James and Thomas are penetrating, generous and thoughtful on every page, and it’s impossible to not be inspired by their love of drawing." (Shari Blaukopf, co-founder of Urban Sketchers Montreal and author of The Urban Sketching Handbook: Working with Color)

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