'Once inside this decaying mansion, [Anaïs] and we are transfixed by a series of spectres from the Echeverrías' history. Lickorish Quinn's best sentences… flow through present participles that conjure sights and sounds… strange, and spectacular.' Sunday Telegraph

'A heady blend of Isabel Allende and Gabriel García Márquez, in which stories and visions proliferate dizzyingly in all directions, this is an impressive first outing.' Daily Mail

'An absolute must-read. I was glued to its pages from the first to the last and am still struggling to believe that such an accomplished creation is Quinn's debut… A wonderfully immersive experience.' Literary Flits

'Lickorish Quinn's magnificent debut enchants from first page to last... A breath-taking writer of singular voice.' Patrick Flanery, author of Absolution

'A mesmerising feat of imagination and a masterful debut.' Paul Lynch, Booker Prize-winning author of Prophet Song

'An innovative and precisely imagined exploration of identity, family, ghosts, and the intersection between personal and national history. It swept me away.' Clare Fisher, author of All the Good Things

'The Dust Never Settles is ambitious, fascinating and endlessly inventive – a time-bending, kaleidoscopic fever dream in which the living coexist with the dead, and the past with present.' Luiza Sauma, author of Everything You Ever Wanted

'Always colourful, its magical realism beautifully realised, this novel brims with Peruvian folklore and history as Anaïs negotiates ghosts from the past and comes to terms with long-buried secrets.' Daily Mail

'A marvelous, vertiginous work that mercilessly conveys the post-colonial state.' Caoilinn Hughes, author of The Wild Laughter

'Karina Lickorish Quinn is the new face of magic realism... Like its title, The Dust Never Settles will stay floating inside the reader, impossible to forget or unsee.' Laia Jufresa, author of Umami